The convict is sleeping, so Pip just kind of whispers and pokes him gently.BUT IT’S NOT THE CONVICT! It’s a younger man who Pip assumes to be the bloodthirsty sidekick the convict tried to scare him with, but he must not be thirsty this morning because he just runs away, despite the iron chain around his leg.Pip continues in search of his very own convict. Eureka! His convict looks pretty beat up, but really appreciates the food.Is the convict is going to share any of the food with the sidekick?The convict is shaken when he realizes that Pip saw someone else on the marshes, and he runs off, madly trying to free himself of his iron with the file.
Author: arbaz
BRECHT the v effect
Brecht and the v effect
Arbaz Hussain
Brecht was interested in making work about Germany and the Nazi and was influenced by Chinese theatre and Karl Marx. He had his personal style. And he didn’t agree with war and made his plays about this. He wanted the audience not to be involved in just emotion he wants them to use their brains.
The v effect is he want his distance between the audience and the play and wanted to keep his audience engaged and didn’t want them to lose focus on him. He wanted an emotional investment in the characters he aimed to avoid.
His approach to theatre suits work which has a political, social or moral message.
Epic theatre (Brechtian theatre) breaks the fourth wall, the link between the actors and audience which keeps them as observers. They are active members of the theatrical experience as they are kept thinking throughout, not switching off.
The scene that I worked on with my group was working on the gibberish drill
Brecht and the v effect
Arbaz Hussain
Brecht was interested in making work about Germany and the Nazi and was influenced by Chinese theatre and Karl Marx. He had his personal style. And he didn’t agree with war and made his plays about this. He wanted the audience not to be involved in just emotion he wants them to use their brains.
The v effect is he want his distance between the audience and the play and wanted to keep his audience engaged and didn’t want them to lose focus on him. He wanted an emotional investment in the characters he aimed to avoid.
His approach to theatre suits work which has a political, social or moral message.
Epic theatre (Brechtian theatre) breaks the fourth wall, the link between the actors and audience which keeps them as observers. They are active members of the theatrical experience as they are kept thinking throughout, not switching off.
The scene that I worked on with my group was working on the gibberish drill
great expections chapter summary chapter 2
pips a young boy living with his sister in south east England whilst visiting his parents graves a horrible man jumped out at him are demanded that he bring him some food . This man was a escaped verdict .
summary of chapter2
My sister Mrs joe Gargery was more than twenty years older than I and had established a great reputation with herself and the neighbors because she had hit him from a very young age .Having at the time to find out for my self what the expression meant and kg owing her to have a hard and heavy hand and tone much in the habit .
Recent Comments